Special Features Like most Blu-ray discs that I have reviewed since the inception of the format, Coyote Ugly falls short when it comes to giving us something new in the bonus features. Instead of the theatrical PG version, we get an unrated one. As my friends on the web would say, that is a major fail. Effects also benefited from the broad and engaging soundfield, though to a lesser degree. Effects came across as clean and realistic without any distortion. Black levels looked very deep and dark, while shadow detail appeared appropriately heavy but never excessively thick. These last a total of six minutes and 55 seconds.
It seems kind of pointless to me, but if it interests you, have fun! Violet works her way through the inevitable hurdles and eventually develops some confidence in her newfound career. If you are like me someone who is ok with having a little bit of fun , then you know that you can pick this one up, pop it into your Blu-ray player and enjoy yourself, just the way you did when you saw this film back the first time — only this time, it is in high definition. Print flaws were also minor, though they seemed somewhat excessive for a release. Schlockmeister extraordinaire Diane Warren composed most of the tracks, and we hear from her, singer LeAnn Rimes, and various cast and crew. Ultimately the clips are watchable but unspectacular. Nonetheless, the majority of the scenes were accurate and concise. So you would imagine that they would at least bring the special features up to speed by putting them in high definition, right? More natural tones also seemed rich and clean. The excessive praise of Warren nauseated me, but otherwise the piece was decent. Though it was formulaic and predictable, the movie portrays its subject with enough spark and energy to make it worth a look. Less useful is Action Overload. Sharpness appeared strong throughout most of the film. Also strong were the soundtracks of Coyote Ugly. For a moment there in , Piper was the centerpiece in one of the sexiest movies around. Black levels looked very deep and dark, while shadow detail appeared appropriately heavy but never excessively thick. As usual, the DTS track appeared somewhat more rich and deep and it portrayed a moderately broader and better-placed environment, but as a whole, the two mixes were very similar. Search for the Stars uses three mini-pieces to look at how the various actors got their roles. Ugly featured more than a few low-light sequences, and these always looked fine; even during scenes in near-total darkness, the images were nicely visible. Music remained the star of the show, and the songs appeared bright and bold. Since the various bits are pretty short, this was a very useful feature. Down on her luck, Violet encounters some brassy young women at a late-night diner. Coyote Ugly is a slick and entertaining little no-brain movie that did what it set out to do: Michael Bay makes a cameo in the film as a photographer for the Village Voice. I was forced to upgrade my firmware to version 3.
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