People don't believe me: Anyway, regardless of its veracity, I loved the picture of cinema the beginning of this film paints. This is a film that I thoroughly enjoyed watching, but will have to give another viewing to determine just how good it really is. There's always been something otherworldly about Green, who first impressed and undressed in Bernardo Bertolucci's The Dreamers, won best Bond Girl ever honors with Casino Royale, and just this year starred as the formidable Artemesia in Rise of an Empire and toplined the Showtime series Penny Dreadful. You will have to watch the film to see the most explicit endless naughty bits, although we have some tantalising peeks in the gallery above. What we realize at the end of it is that the two of them have a relationship that transcends anything they can have with an outsider.
It's fun, and I love fun. I love playing mad people, actually. A few weeks ago in Los Angeles, the slinky Green met up with Vulture at The Four Seasons to tell us how she got into character for the Robert Rodriguez—directed Sin City, and how she felt about getting out of her clothes for it. It's totally fine showing someone getting their head blown off in America and you can't show the human body. Matthew goes to the cinema and it's a transforming experience, he becomes connected to the forefront of French culture, and when the Cinemateque is shut down, he finds himself with two new friends, Theo and Isabelle. I was cast very last minute, like a week before shooting, and usually I like to prep, so I was panicked: What attracted you to The Dreamers? One thing it did for me is that a lot of time on a film you're moving from one place to another, and you're constantly thinking about the space you're in. There's always been something otherworldly about Green, who first impressed and undressed in Bernardo Bertolucci's The Dreamers, won best Bond Girl ever honors with Casino Royale, and just this year starred as the formidable Artemesia in Yeah, she's quite scary. I wouldn't have liked that, so I was really lucky. You will have to watch the film to see the most explicit endless naughty bits, although we have some tantalising peeks in the gallery above. Can I touch the other actor? Well, at least watch the show so you can get to the part where Josh Hartnett and Reeve Carney make out. I did some research, but I didn't want to do too much research, because I wanted my character Matthew to learn about things along the way. My knowledge of and its politics is primarily what was happening in America. I had a meeting with him before I knew who he was. Did you do much research into the events which form the backdrop to the film in Paris? At school, I was really shy. I really like the end of the film, in which the twins finally leave Matthew when he refuses to go along with their 'revolutionary action. Seeing the movie you get a sense of a time when cinema was a really crucial social force, setting the tone for what youth culture was. Mostly you were thinking about the psychology of the character. This is a film that I thoroughly enjoyed watching, but will have to give another viewing to determine just how good it really is. It would be interesting to do a prequel, just to find out why she's so hard. Did you see the seance sequence from your second episode? Did you have to do a lot of work beforehand? A Dame To Kill For.
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